tropical malady

orangesky

There must be days when you feel your mind is like a tropical jungle...no, wait, I mean the undergrowth of a tropical jungle - none of that majestic treetop experience, just the muggy, rotting, mosquito-infested mess of weeds, vines, stray branches and trees that will never see the sky.

You may then wish to find a DVD copy of Thai director Apichatpong Weerasethakul's 2004 Cannes winner Tropical Malady. A narrative yin-yang - at once simple and mysterious, leisurely and tense. Split into two, the first part of the film is all the sweet disease of love - the palpitations of the heart and the alternating chills and heat of chase and touch. The second half of the film is set entirely in the Thai jungles, and I think every fear, hallucination, and drop of sweat you would experience in a tropical jungle is captured in that feverish, haunting 45min.

Comments

Post a Comment

Popular posts from this blog

miracle man

Image
I can never quite tell if Ma J is asleep or just pretending The old lady in the bed next to Ma J's is in hospital because of a second stroke. When we were visiting Ma J this afternoon, the old lady's middle-aged son was also there. He was in his usual round-neck tee tucked into a pair of blue jeans with a belt made of buffalo hide. His limbs are slim, but his belly is round. His bald head, too, is round and abnormally large for his small frame. Let's call him Ah Biao , or if you prefer an English name, you can think of him as Bill (after his buffalo hide belt). When J and I walked out of the ward, Ah Biao or Bill followed us. Three of us stood around the counter by the nurses' work area. J and I were quiet, enjoying the break. Then Ah Biao wanted to show us something special. "Eh, I show you something." Ah Biao unzipped his black waist pouch and took out a small yellow cloth pouch. He untied the colourful string that secured the opening of the pouch. He weigh
Read the rest of this post

on a Hou Hsiao Hsien movie set

Image
By the tracks of the Jiji Station, the oldest train station in Taiwan OK, not quite. We did not even manage to go all the way south to Hou Hsiao Hsien's KaoShiung or even Tainan, but we did venture out from Taipei for 3 days to Taichung. But the real takeaway was actually this supposed feature of Hou Hsiao Hsien's films - trains! Trains are about the best thing about traveling. Unlike cars and taxis, trains are a social mode of transport. Train stations allow for reunions and departures, points to assess and affirm relationships. I admit that all this fades away when you are tired or in a great hurry (or both). But seriously, cars (oh, 4-wheelers!) have only brought about pollution and wasteful consumption, traffic jams, asphalt, mindless obsession with speed and countless quarrels in the stressful, enclosed interiors of cars. Friends, take it slow. Take the train. Read a book. Hold your partner's hand. Be there with the people around you. With Taiwan's highspeed rail
Read the rest of this post

fear not history

Image
Fiction on this island has never quite flourished. Perhaps because we've never quite made peace with our histories. But two genres of fiction hold special place in Singapore as a result. Ghost stories - the art of unresolved pasts. And that even stranger fruit of fact-as-fiction/fiction-as-history. Part speculative history. Part documentary fiction. A romance of obscurity. The Lan Fang Chronicles , Choy Ka Fai's work supported by the Arts Council's Arts Creation Fund and commissioned for this year's Arts Festival, is maybe of this latter genre. Choy Ka Fai chances upon the Lan Fang Republic, supposedly the first democratic republic in SEAsia, set up by the Hakka Chinese in West Borneo. His research in West Borneo, China and Holland takes him through archival material, abandoned sites, photocopied photographs, a supposed descendent of Luo Fang Bo (founder of Lan Fang) and accounts of Dutch missionaries and colonists. These materials allow him to re-construct a sk
Read the rest of this post